The plan is to apply to a bunch of festivals over the next four months, finish the sound, score the film, and color correct it. By December, we’ll know if we’ve gotten into some of these places. That’s when we’ll start up the hype machine. For right now, we’re focused on just finishing.
Updates: Juliane, our awesome production designer, made a great cover for our DVD that we’re going to be sending to festivals. Check it out:
Also, we held our fourth test screening on Sunday. The response was again solid, almost likes and really likes across the board. But again, there was the comment that the beginning is slow. We’re sitting in the edit bay right now, trying to address that very issue. We are killing babies, people. One of the things we just cut is the very first word: “remember.” As much as I love starting a thriller about memory with that word, it’s just too damn slow. We need to get into the meat of the story faster. So unfortunately, things have to go. I keep telling myself that’s what the deleted scenes on the DVD are for. And honestly, the movie plays better because of it.
My feeling is that we are close. We are close to locking picture, and we are close to getting this story where it needs to be. It’s not going to work for everyone, maybe, but there’s no way it CAN work for everyone.
Walter Murch (editor of “Apocalypse Now”) says “films are not finished – they escape.” That is absolutely true. We could edit this movie for another year and there would still be folks who won’t like it. We could go out and do a month of reshoots, adding scenes and changing storylines, and still the audience might want something different. I’m not saying that to be a whiny, lazy independent filmmaker. I’m saying that because I’m realizing you truly can’t please everyone. You can only please yourself, and hope others are on board.
And we are very close to being pleased.
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